The Highlights began as a response to the journalistic bent in art reviews, offering artists an outlet to engage in uncon– ventional criticism. Since that time, we have enlarged the format to include experimental text and digital media projects. These works are an extension of the artists’ own practice and consist of image-based essays, original videos, interviews, as well as fictional, virtual, biographic, and diaristic writing. All completed projects are stored permanently in the online archive where they are available for browsing.

 http://thehighlights.org/